In the course of my research into the work, Ayinla Omowura: Life and Times of an Apala Legend, I came to the conclusion that stardom and eccentricity are intertwined. One of my sources told me that one day in the late 1970s, Omowura, the late Yoruba musician, as a litigant in a matter that took place in an Abeokuta, Ogun State High Court, walked into the courtroom clutching a half-smoked wrap of burning marijuana. The judge was so scandalized that he shouted, “Get out of here! Where do you think you are!” apparently in deference to his stardom; otherwise, he should have been arrested forthwith. Virtually all musicians parade one eccentric feature or the other. Iconic maestro, poet, philosopher and staunch defender of African rights, Winston Hubert MclnTosh, popularly known as Peter Tosh, was in this mould. Aside from his staunch belief, like many other Rastafarians, that smoking marijuana was a spiritual purification exercise, Tosh was extremely controversial and did not care whose ox
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